The Best Way To Learn Blues Guitar In 7 Steps

best way to learn blues guitar - man playing guitar on stage

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Today we will talk about Blues, a music genre that comes from deep African influences in the south of the United States. Blues is often identified with melancholy and sorrow. Moreover, this is a genre very open to improvisation and doesn’t need huge ensembles to be played (a piano, a guitar OR a harmonica will suffice). These are reasons why today it is a synonym for authenticity and “feeling the music” rather than just playing it. In this article, we will break down this timeless music style into 7 steps for the best way to learn blues guitar.

Step 1: Inspiration!

Jimi Hendrix used to say that Blues is “easy to play, hard to feel”. Like him, Oldschool players used to believe that the best way to learn blues was by listening to real blues. Here are some timeless gems from the genre.

Robert Johnson – Cross Road Blues

In this song, Robert is selling his soul to the Devil in exchange for talent. If you listen carefully, you can hear him playing better and better as the song advances.

Robert Johnson CrossRoads - Cross Road Blues Song and Lyrics

Howlin’ Wolf – Little Red Rooster

The Rolling Stones made a cover of this one, further popularizing blues into white masses.

Howlin' Wolf - Little Red Rooster ( Chess )

Koko Taylor – Wang Wang Doodle

The golden age of Blues was defined by empowered women singing on stage songs of love, heartbreak, and sadness. In this particular case, Koko Taylor talks to us about a huge party night she had with peculiar characters such as Automatic Slim and Razor Totin’ Jim. 

Koko Taylor - Wang Dang Doodle - A Celebration of Blues and Soul

Big Mama Thornton – Ball and Chain

This is a deeply sad song popularized by Big Mama Thornton and Janis Joplin. It depicts the sorrow of a misfit that feels himself a prisoner in his life.

Big Mama Thornton 1970

The Animals – House of the Rising Sun

It is said that this particular song was sung by coal miners in the early 1900s. This particular cover was recorded more than 40 years later, 

House Of The Rising Sun

Lightnin’ Hopkins – Woke Up this Morning

Blues is, in my opinion, the only genre that can take an instrument well out of tune and still pull off a masterpiece like this song.

Lightnin' Hopkins - Woke Up This Morning

Albert King ft. Stevie Ray Vaughan – Don’t Lie to Me

This is a more modern version of blues, being more upbeat than the rest in the list and lacking the ‘blues swing’ (more on this later). Still, you can feel how both Albert and Stevie Ray pour their hearts out through their guitars.

Don't Lie To Me Albert King with Stevie Ray Vaughan

Step 2: The 12-bar blues progression

The basic structure of a Blues song is comprised of 12 bars, with the following chord structure:

1 2 3 4 5 6 7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

1 2 3 4 5 6 7 8 9 10 11 12

A minority of songs will include a VI chord in the progression, others will reduce the number of bars from 12 to 4. Some songs even have a flat chord progression, meaning that they use a single chord in the entirety of the song. This is the case of Wang Wang Doodle, using only Dm7.

Guitar Tricks Free TrialThe Best Way To Learn Blues Guitar In 7 Steps 1

Step 3: The Blues Swing

Watch videos of live Blues performances closely. See how every musician in the room FEELS the rhythm and even dances to it? This is because the rhythm this genre uses, also called the Blues Swing, has something very special about it.

To better understand the technical aspect of the blues swing, let’s carefully analyze a single bar.

In the typical Blues song, which has a 4/4 time signature, you will listen to 2 well-defined pulses every beat, for a total of 8 pulses every bar.

So, this means they’re eighth notes, right?

Well, not exactly. The thing about these pulses is that they are clearly off any subdivision in halves. The reason for it? These pulses come from triplets.

A triplet occurs when we divide a beat into three equal parts. This is something that might take some practice and habituation. So here is an exercise you can do at home with the help of a metronome to develop a grasp of triplets:

  • Set your metronome at 100bpm. Listen to it for a couple of seconds, get used to that pulse.
  • Stop your metronome. Set it at 300 bpm. This is three times faster than the previous pulse but still manageable. Let it play and listen to it.
  • When you feel ready, count to three out loud using each pulse as a number. Repeat this 1, 2, 3 over and over until you feel comfortable doing it.
  • Start tapping with your foot or with your hand each time you say 1. So you would tap on each bold 1: 1, 2, 3, 1, 2, 3, 1, 2, 3…
  • If you turn off your metronome, you will be replacing the metronome at 100bpm with your hand and counting triplets for each beat!

Now that we have triplets down, we are closer to the blues swing. What are we missing to get it? It’s two pulses instead of three in each beat. To get the Blues swing correctly, we only need to get rid of the “2” in the triplet. So, following the previous exercise, instead of counting

1   2   3   4
1 2 3 1 2 3 1 2 3 1 2 3

We would be counting as follows:

1   2   3   4
1 x 3 1 x 3 1 x 3 1 x 3

If you’re a bass or piano player, you will immediately understand how important it is to mark the Blues swing. As a guitar player, you can get away with playing outside of it more than these instruments, but you’ll fall back right into it sooner than you realize.

Step 4: The Dominant 7th Chords

Unlike in the majority of genres, you can get away with only using 7th chords for a blues progression. Here are the easiest chords to play blues progressions:

A with an added seventh (A7)

Chord A7

B with an added seventh (B7)

B7 chord

D with an added seventh (D7)

Chord D7

E with an added seventh (E7)

E7 chord

Step 5: The Blues Scale

The most common scale for blues can be seen as a modification from the minor pentatonic scale, adding a flat 5th (b5). So, the scale would look like this:


To depict this better, let’s take a look into the minor pentatonic scale of A, with the b5:

A C D Eb E G

Learning this scale is as easy as learning the minor pentatonic scale, then adding the flat 5th, which will not require much effort. To learn the minor pentatonic scale, check our article about the first scale to learn on the guitar.

Step 6: The Blues bends and vibratos

Blues is a stew made of many spices, and you can certainly feel the strong flavor of bends and vibratos every single bar, almost every beat.

To perform a bend, remember to use your middle finger when starting so that the fingers around it can act as support. Drag the fretted string with your finger either up or down to change the pitch of the note played.

Vibrato is a much simpler technique; instead of pushing or pulling the string entirely, we will rock the string slightly back and forth, making the pitch unstable. 

Step 7: The blues Licks

Imagine licks in Blues as the characteristic howls that wolves use to communicate over long distances. You’re not copying anyone nor sound like everyone else, you’re just speaking in Blues! One of the characteristics of voicings in Blues is that they can also be played almost in the same way by a piano or a harmonica,

Lick #1

e – --------8-----
B – -----8----10--
G – --/9----------
D – --------------
A – --------------
E – --------------

Lick #2

e – ---------------
B – ---7-----------
G – ---7----5b6----
D – -7---7-------7-
A – ---------------
E – ---------------

Lick #3

e – --8-10-10b12-8b9-------
B -10-------------------10-
G – -----------------------
D – -----------------------
A – -----------------------
E – -----------------------

Lick #4

e – -------8----------
B – --8h10---10p8h10--
G – 9-----------------
D – ------------------
A – ------------------
E – ------------------

Lick #5

e – ----------------
B – ------------8---
G – ---5-7-7b8------
D -5b7--------------
A – ----------------
E – ----------------

Lick #6

e – ----5-----------------
B -8b10-----8p5--8b10=====
G – ----------------------
D – ----------------------
A – ----------------------
E – ----------------------

Lick #7

e – ----8--------8-10b12r10b12===
B -8h10-----8h10-----------------
G – -----------------------------
D – -----------------------------
A – -----------------------------
E – -----------------------------

Do you don’t know how to read guitar tabs? Then check our TAB 101 article!

Did you know that every subgenre of rock today includes a little blues in it? Taking from the elements we’ve discussed, can you see the influence of blues in rock and modern music as a whole?

We hope you enjoyed following these 7 steps on the best way to learn blues guitar!